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Anya S.

These graphics were created for the Community Associations Institute 2023 Annual Conference. My goal was to capture the Western theme, as the conference was held in Dallas, and create a celebratory feeling while maintaining a professional, corporate look. I handled the project from brainstorming the overall visual identity to creating hundreds of print and digital assets. Art director: Cori Canady

I found many unconventional ways of applying patterns normally found on cowboy boots: on longhorns, ice cubes, cameras, and more. These graphics were incorporated into event signage. An especially fun project was designing temporary tattoos that combined the CAI 50th Anniversary logo with the Texas state flower.


The article in the Common Ground magazine drew inspiration from cookbooks, so the illustration was supposed to be evocative of a vintage cookbook. I researched imagery from the 1950s and 1960s, analyzing the illustration style commonly used then and adapting my own style to mimic that. I chose the typography in a similar manner, aiming to make the text look vintage, but not outdated. Knowing that I would also be designing the layout for the article, I conceptualized the illustration to include individual elements which would work well as spots throughout the pages. Art director: Cori Canady


I created infographics that conveyed the complex and impactful work that USAID does in the Philippines in a clear and engaging manner. The series consisted of several infographics in which I illustrated various fishing equipment and marine life in various regions of the Philippines to educate the community about sustainable fishing practices.


In this label illustration for Real Zepeda Tequila's new line of product, I reinvented the brand's visual identity while maintaining its core values: hard work, family, and tradition. I always start by brainstorming ideas through thumbnails, then I map out the image in a rough sketch, and, once approved, I render the final illustration.

Real Zepeda Tequila wanted to create a series of Instagram posts promoting signature cocktails at restaurants serving their product. The only problem was that they did not have high-quality photos of each drink. I created collages making generic photos shine and hand-painted the cocktails that were missing photos, capturing the unique character of each restaurant and making graphics that the users simply couldn't scroll past.

TOWANDA Women's Center in Jena has recently moved to a new building and wished to advertise their new spaces. They wanted the spaces to be the main focus of the brochure, but the building itself did not look very highlight-worthy and they were missing photos of the interior. I used my illustration skills to create a visually appealing yet accurate portrayal of the new location.
TOWANDA Women's Center in Jena has recently moved to a new building and wished to advertise their new spaces. They wanted the spaces to be the main focus of the brochure, but the building itself did not look very highlight-worthy and they were missing photos of the interior. I used my illustration skills to create a visually appealing yet accurate portrayal of the new location.
TOWANDA Women's Center in Jena has recently moved to a new building and wished to advertise their new spaces. They wanted the spaces to be the main focus of the brochure, but the building itself did not look very highlight-worthy and they were missing photos of the interior. I used my illustration skills to create a visually appealing yet accurate portrayal of the new location.

This is a branding project aimed at creating a simple visual identity evocative of nature, yet offering an alternative to the blue/green color scheme characteristic of similar organizations. When designing the logo, I challenged myself to portray an owl with as few elements as possible. When illustrating the infographic featuring several owl species, I used the full range of illustration tools to draw pictures that are engaging, friendly, and correctly represent different species.


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